Perubahan Bervariasi dalam Ekranisasi Manga Death Note Karya Tsugumi Ohba dan Takeshi Obata ke dalam Drama Death Note Karya Inomata Ryuichi

  • Ni Wayan Nadia Setyawati Universitas Udayana
  • Silvia Damayanti Universitas Udayana
  • Ni Luh Putu Ari Sulatri Universitas Udayana

Abstract

This research is entitled "Variety Changes in the Ecranization of the Death Note Manga by Tsugumi Ohba and Takeshi Obata into the Death Note Drama by Inomata Ryuichi". The purpose of this study is to provide an understanding of ecranization with sources in the form of manga related to changes in intrinsic elements. The research method used is descriptive qualitative method. The data sources used in this study are the Manga Death Note by Tsugumi Ohba & Takeshi Obata and Drama Death Note by Inomata Ryuichi. The theory used in this research is Ecranization Theory proposed by Eneste and Structural Theory by Nurgiyantoro. The results of this study indicate that there is a change in the intrinsic elements contained in the manga into drama. These changes are in the form of varied changes that occur in the plot, characters, and setting of the place. These varied changes aim to change the story, atmosphere, impression, role, and adjust production costs.


 

Downloads

Download data is not yet available.

References

Damayanti, Silvia.2016. “Alih Wahana Buku Cerita Bergambar Ke Dalam Komik Sebagai Sarana Pelestarian Cerita Rakyat Jepang”. Denpasar:Universitas Udayana

Eneste, Pamusuk. 1991. Novel dan Film. Flores : Nusa Indah

Hawarismi , Fatih Hikam Al. 2017. “Analisis Proses Alih Wahana Dari Light Novel Ke Anime GATE : Jietai Kanochi

Nite Kaku Tatakaeri” (Skripsi). Semarang : Universitas Diponegoro.

Jayanti, Tri Ni Komang. 2020 “Alih Wahana Manga Ao Haru Ride Karya Sakisaka Io ke dalam Film Live Action Karya

Sutradara Miki Takahiro” (Skripsi) Denpasar: Universitas Udayana.

Nurgiyantoro, Burhan. 2007. Teori Pengkajian Fiksi.Yogyakarta : Gajah Mada University Press.

Padmiani, Ni Luh Gde Diah, Silvia Damayanti, and Ni Luh Kade Yuliani Giri. “Alih Wahana Cerita Rakyat Momotaro dari Ehon Menjadi Kashidan Anime”.

Ratna, N.K. 2004. Teori, Metode dan Teknik Penelitian Sastra. Yogyakarta : Pustaka Pelajar
Published
2021-08-29
How to Cite
SETYAWATI, Ni Wayan Nadia; DAMAYANTI, Silvia; ARI SULATRI, Ni Luh Putu. Perubahan Bervariasi dalam Ekranisasi Manga Death Note Karya Tsugumi Ohba dan Takeshi Obata ke dalam Drama Death Note Karya Inomata Ryuichi. Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang, [S.l.], v. 3, n. 2, p. 89-94, aug. 2021. ISSN 2623-0151. Available at: <https://ojs.unud.ac.id/index.php/sakura/article/view/64223>. Date accessed: 21 nov. 2024. doi: https://doi.org/10.24843/JS.2021.v03.i02.p01.
Section
Articles

Most read articles by the same author(s)

1 2 > >>