Hak Cipta dan Kepemilikan Hak Cipta atas Street Art yang Melekat Pada Properti Milik Orang Lain: Sebuah Dualisme Hukum
Abstract
Street art is a work of art on the streets, which is usually in the form of graffiti or murals. Street art is generally made on other people's property without permission. This is what raises the problem of copyright protection and ownership of street art because there is a conflict between copyright and property rights and making street art without permission is a form of vandalism. Therefore, there is still debate about copyright protection for street art and there is still legal dualism in this regard. This paper aims, firstly to provide an analysis regarding copyright protection for illegal street art and secondly to analyze the ownership of street art attached to the property of other people. The research method of this paper is normative using statutory, comparative, case, and conceptual approaches. The results of this article are first, even though street art is an illegal act because it is vandalism, there is still copyright protection in it. Second, even though it is related to copyright ownership of street art, it remains with the Street Art Artists because it is their copyright, but the property rights of the owner of the property must also be protected.
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References
Buku
Bonadio. E, et.al. (2019). The Cambridge Handbook of Copyright in Street Art and Graffiti. Cambridge: Cambridge University Press.
Goldstein,P dan Hugenholtz,B. (2013). International Copyright Principles, Law, and Practice edisi ke 3. New York: Oxford University Press.
HS, Salim. (2019). Pengantar Hukum Perdata Tertulis (BW). Jakarta: Sinar Grafika.
Jened, R. (2013). Interface Hukum Kekayaan Intelektual dan Hukum Persaingan (Penyalahgunaan HKI). Depok: Rajawali Press.
-------. (2014). Hukum Hak Cipta (Copyright’s Law). Bandung: Citra Aditya Bakti.
Netanel,N.W. (2018). Copyright What Everyone Needs to Know. New York: Oxford University Press.
Pereira,S. (2005). Graffiti. San Fransisco: Silverback Books, Inc.
Santoso,U. (2012). Hukum Agraria: Kajian Komprehensif Edisi Pertama. Jakarta: Kencana.
Simanjuntak, P.N.H. (2015). Hukum Perdata Indonesia. Jakarta: Kencana.
Sofwan, S.S.M. (1981). Hukum Perdata: Hukum Benda. Yogyakarta: Liberty.
Subekti. (1985). Pokok-Pokok Hukum Perdata. Jakarta: PT Intermasa.
Tutik, T.T. (2008). Hukum Perdata dalam System Hukum Nasional Edisi Pertama. Jakarta: Kencana.
Jurnal
Blanche,U. (2015). Street Art and Related Terms- Discussion and Working Definition. SAUC Journal 1(1), 32-39. doi: https://doi.org/10.25765/sauc.v1i1.14.
Chused,R. (2018). Moral Rights: The Anti-Rebelion Graffiti Heritage of 5pointz. The Columbia Journal of Law & the Arts, 41 (4), 583-640. doi:https://doi.org/10.7916/D8JW9XVR.
Ganindra, D.M. dan Kurniawan Faizal. (2017). Kriteria Asas Pemisahan Horizontal Terhadap Penguasaan Tanah dan Bangunan. Yuridika 32(2), 228-259. doi: https://doi.org/10.20473/ydk.v32i2.4850.
Ginsburg, J.C. (2003). The Concept of Authorship in Comparative Copyright Law. DePaul Law Review, 52(4) 1063-1092. doi: http://dx.doi.org/10.2139/ssrn.368481.
Gomez, M.A. (1993). The Writing on Our Walls: Finding Solutions Through Distinguishing Graffiti Art From Graffiti Vandalism. University of Michigan Journal of Law Reform, 26 (3), 633-708. Doi: https://repository.law.umich.edu/mjlr/vol26/iss3/5.
Jati, B.K.H. (2019) Law Enforcement for Prevention and Control of Vandalism Acts in Yogyakarta City. Journal of Arts & Humanities, 8(7), 01-08. doi: https://doi.org/10.18533/journal.v8i7.1676.
Jened,R. (2016). Konflik Yurisdiksi dan Penegakan Hukum Kekayaan Intelektual. Mimbar Hukum, 28(2), 201-214. doi:
https://doi.org/10.22146/jmh.16730.
Setiawan, P.J., Shintya Yulfa Septiningrum, Xavier Nugraha. (2021). The Legal Consequences For Buying Motor Vehicles Without Motor Vehicle Authorization Letter. Syariah: Jurnal Hukum dan Pemikiran, 21(2), 194-212, 194-212. doi: http://dx.doi.org/10.18592/sjhp.v21i2.4592
Lerman,C. (2012). Protecting Artistic Vandalism: On Graffiti and Copyright Law. N.Y.U Journal of Intellectual Properties and Entertainment Law. 2, 295-337. doi: http://dx.doi.org/10.2139/ssrn.2033691.
MacDowall, L.J. dan de Souza,P. (2018). I’d Double Tap That: Street Art, Graffiti, and Instagram Research. Media Culture and Society, 40(I), 3-22. doi: https://doi.org/10.1177/0163443717703793.
Margono,S. (2012). Prinsip Deklaratif Pendaftaran Hak Cipta: Kontradiksi Kaedah Pendaftaran Ciptaan dengan Asas Kepemilikan Publikasi Pertama Kali. Jurnal Rechtsvinding 1(2), 237-255. Doi: http://dx.doi.org/10.33331/rechtsvinding.v1i2.99.
Nugraha, X., Ezra Tambunan. (2020). Analisa Yuridis Potensi Overlapping Antara Merk Tiga Dimensi (Three Dimensional Marks) dengan Desain Industri dalam Hukum Hak Kekayaan Intelektual. JIPRO: Journal of Intellectual Property. 3, 1-15. Doi: https://doi.org/10.20885/jipro.vol3.iss2.art1
Rahman,N.A. et.al. (2020). Revolutions of Mural Painting. International Journal of Academic Research in Business and Social Sciences, 10(10) 1195–1200. doi: 10.6007/IJARBSS/v10-i10/8279.
Salmah, S. (2015). Perilaku Vandalisme Remaja di Yogyakarta. Media Informasi Penelitian Kesejahteraan Sosial, 39(1), 15-29. http://download.garuda.kemdikbud.go.id/article.php?article=1682829&val=18281&title=Youth%20Vandalism%20Attitude%20in%20Yogyakarta.
Setyawati, R. et.al. (2021). The Tensions On The Protection Of Local-Traditional Indonesian Batik. Yuridika 36(1), 177-212. doi: https://doi.org/10.20473/ydk.v36i1.24077.
Skripsi
Teshaari,D.S. (2015). Legalitas Fanworks Sebagai Bentuk Eksploitasi Karya Asli Utama (Studi Kasus Salinger V. Colting). Universitas Airlangga.
Website
Bombing Science. (2020). Grab Interview. Retrieved from: https://www.bombingscience.com/grab-interview/. Diakses pada 5 November 2022.
INDANA. (2016). Kampung Warna Warni di Kota Malang. Retrieved from: https://www.indana.co.id/kampung-warna-warni-di-kota-malang/. Diakses pada 5 November 2022
Peraturan Perundang-Undangan
Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta (Lembaran Negara Republik Indonesia Tahun 2014 Nomor 266, Tambahan Lembaran Negara Nomor 5599),
Undang-Undang Nomor 5 Tahun 1960 tentang Pokok-Pokok Agraria (Lembaran Negara Republik Indonesia Nomor 104 Tahun 1960),
Peraturan Daerah Yogyakarta Nomor 15 Tahun 2018 tentang Penyelenggaraan Ketertiban Umum dan Ketentraman Masyarakat (Lembaran Daerah Yogyakarta Tahun 2018 Nomor 15),
Peraturan Daerah Kota Surabaya Nomor 2 Tahun 2014 tentang Penyelenggaraan Ketertiban Umum dan Ketentraman Masyarakat (Lembaran Daerah Kota Surabaya Tahun 2014 Nomor 2, Tambahan Lembaran Daerah Kota Surabaya Nomor 2),
The United States Copyright Act 1976 (L. No. 94-553, 90 Stat. 2541, Undang-Undang Hak Cipta Amerika Serikat),
The Visual Artists Rights Act 1990 (Pub.L. 101–650 title VI, 17 U.S.C. § 106A, Undang-Undang Hak Seniman Visual)
Berne Convention.
Bonadio. E, et.al. (2019). The Cambridge Handbook of Copyright in Street Art and Graffiti. Cambridge: Cambridge University Press.
Goldstein,P dan Hugenholtz,B. (2013). International Copyright Principles, Law, and Practice edisi ke 3. New York: Oxford University Press.
HS, Salim. (2019). Pengantar Hukum Perdata Tertulis (BW). Jakarta: Sinar Grafika.
Jened, R. (2013). Interface Hukum Kekayaan Intelektual dan Hukum Persaingan (Penyalahgunaan HKI). Depok: Rajawali Press.
-------. (2014). Hukum Hak Cipta (Copyright’s Law). Bandung: Citra Aditya Bakti.
Netanel,N.W. (2018). Copyright What Everyone Needs to Know. New York: Oxford University Press.
Pereira,S. (2005). Graffiti. San Fransisco: Silverback Books, Inc.
Santoso,U. (2012). Hukum Agraria: Kajian Komprehensif Edisi Pertama. Jakarta: Kencana.
Simanjuntak, P.N.H. (2015). Hukum Perdata Indonesia. Jakarta: Kencana.
Sofwan, S.S.M. (1981). Hukum Perdata: Hukum Benda. Yogyakarta: Liberty.
Subekti. (1985). Pokok-Pokok Hukum Perdata. Jakarta: PT Intermasa.
Tutik, T.T. (2008). Hukum Perdata dalam System Hukum Nasional Edisi Pertama. Jakarta: Kencana.
Jurnal
Blanche,U. (2015). Street Art and Related Terms- Discussion and Working Definition. SAUC Journal 1(1), 32-39. doi: https://doi.org/10.25765/sauc.v1i1.14.
Chused,R. (2018). Moral Rights: The Anti-Rebelion Graffiti Heritage of 5pointz. The Columbia Journal of Law & the Arts, 41 (4), 583-640. doi:https://doi.org/10.7916/D8JW9XVR.
Ganindra, D.M. dan Kurniawan Faizal. (2017). Kriteria Asas Pemisahan Horizontal Terhadap Penguasaan Tanah dan Bangunan. Yuridika 32(2), 228-259. doi: https://doi.org/10.20473/ydk.v32i2.4850.
Ginsburg, J.C. (2003). The Concept of Authorship in Comparative Copyright Law. DePaul Law Review, 52(4) 1063-1092. doi: http://dx.doi.org/10.2139/ssrn.368481.
Gomez, M.A. (1993). The Writing on Our Walls: Finding Solutions Through Distinguishing Graffiti Art From Graffiti Vandalism. University of Michigan Journal of Law Reform, 26 (3), 633-708. Doi: https://repository.law.umich.edu/mjlr/vol26/iss3/5.
Jati, B.K.H. (2019) Law Enforcement for Prevention and Control of Vandalism Acts in Yogyakarta City. Journal of Arts & Humanities, 8(7), 01-08. doi: https://doi.org/10.18533/journal.v8i7.1676.
Jened,R. (2016). Konflik Yurisdiksi dan Penegakan Hukum Kekayaan Intelektual. Mimbar Hukum, 28(2), 201-214. doi:
https://doi.org/10.22146/jmh.16730.
Setiawan, P.J., Shintya Yulfa Septiningrum, Xavier Nugraha. (2021). The Legal Consequences For Buying Motor Vehicles Without Motor Vehicle Authorization Letter. Syariah: Jurnal Hukum dan Pemikiran, 21(2), 194-212, 194-212. doi: http://dx.doi.org/10.18592/sjhp.v21i2.4592
Lerman,C. (2012). Protecting Artistic Vandalism: On Graffiti and Copyright Law. N.Y.U Journal of Intellectual Properties and Entertainment Law. 2, 295-337. doi: http://dx.doi.org/10.2139/ssrn.2033691.
MacDowall, L.J. dan de Souza,P. (2018). I’d Double Tap That: Street Art, Graffiti, and Instagram Research. Media Culture and Society, 40(I), 3-22. doi: https://doi.org/10.1177/0163443717703793.
Margono,S. (2012). Prinsip Deklaratif Pendaftaran Hak Cipta: Kontradiksi Kaedah Pendaftaran Ciptaan dengan Asas Kepemilikan Publikasi Pertama Kali. Jurnal Rechtsvinding 1(2), 237-255. Doi: http://dx.doi.org/10.33331/rechtsvinding.v1i2.99.
Nugraha, X., Ezra Tambunan. (2020). Analisa Yuridis Potensi Overlapping Antara Merk Tiga Dimensi (Three Dimensional Marks) dengan Desain Industri dalam Hukum Hak Kekayaan Intelektual. JIPRO: Journal of Intellectual Property. 3, 1-15. Doi: https://doi.org/10.20885/jipro.vol3.iss2.art1
Rahman,N.A. et.al. (2020). Revolutions of Mural Painting. International Journal of Academic Research in Business and Social Sciences, 10(10) 1195–1200. doi: 10.6007/IJARBSS/v10-i10/8279.
Salmah, S. (2015). Perilaku Vandalisme Remaja di Yogyakarta. Media Informasi Penelitian Kesejahteraan Sosial, 39(1), 15-29. http://download.garuda.kemdikbud.go.id/article.php?article=1682829&val=18281&title=Youth%20Vandalism%20Attitude%20in%20Yogyakarta.
Setyawati, R. et.al. (2021). The Tensions On The Protection Of Local-Traditional Indonesian Batik. Yuridika 36(1), 177-212. doi: https://doi.org/10.20473/ydk.v36i1.24077.
Skripsi
Teshaari,D.S. (2015). Legalitas Fanworks Sebagai Bentuk Eksploitasi Karya Asli Utama (Studi Kasus Salinger V. Colting). Universitas Airlangga.
Website
Bombing Science. (2020). Grab Interview. Retrieved from: https://www.bombingscience.com/grab-interview/. Diakses pada 5 November 2022.
INDANA. (2016). Kampung Warna Warni di Kota Malang. Retrieved from: https://www.indana.co.id/kampung-warna-warni-di-kota-malang/. Diakses pada 5 November 2022
Peraturan Perundang-Undangan
Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta (Lembaran Negara Republik Indonesia Tahun 2014 Nomor 266, Tambahan Lembaran Negara Nomor 5599),
Undang-Undang Nomor 5 Tahun 1960 tentang Pokok-Pokok Agraria (Lembaran Negara Republik Indonesia Nomor 104 Tahun 1960),
Peraturan Daerah Yogyakarta Nomor 15 Tahun 2018 tentang Penyelenggaraan Ketertiban Umum dan Ketentraman Masyarakat (Lembaran Daerah Yogyakarta Tahun 2018 Nomor 15),
Peraturan Daerah Kota Surabaya Nomor 2 Tahun 2014 tentang Penyelenggaraan Ketertiban Umum dan Ketentraman Masyarakat (Lembaran Daerah Kota Surabaya Tahun 2014 Nomor 2, Tambahan Lembaran Daerah Kota Surabaya Nomor 2),
The United States Copyright Act 1976 (L. No. 94-553, 90 Stat. 2541, Undang-Undang Hak Cipta Amerika Serikat),
The Visual Artists Rights Act 1990 (Pub.L. 101–650 title VI, 17 U.S.C. § 106A, Undang-Undang Hak Seniman Visual)
Berne Convention.
Published
2023-08-30
How to Cite
SUTANTO, Jennifer Moniq; RAHMAH, Mas; NUGRAHA, Xavier.
Hak Cipta dan Kepemilikan Hak Cipta atas Street Art yang Melekat Pada Properti Milik Orang Lain: Sebuah Dualisme Hukum.
Kertha Patrika, [S.l.], v. 45, n. 2, p. 134-151, aug. 2023.
ISSN 2579-9487.
Available at: <https://ojs.unud.ac.id/index.php/kerthapatrika/article/view/94691>. Date accessed: 13 nov. 2024.
doi: https://doi.org/10.24843/KP.2023.v45.i02.p01.
Issue
Section
Articles
