Implikasi Religiusitas Pementasan Tari Sanghyang Jaran di Desa Bungkulan pada Masa Pandemi Covid 19

  • Afnan Dzanu Kusuma Universitas Udayana
  • . Aliffiati Universitas Udayana
  • I Ketut Kaler Universitas Udayana

Abstract

During the COVID-19 pandemic, the performance of the Sanghyang Jaran Dance in Bungkulan Village was delayed several times. The delay in the performance of this sacred dance ultimately has implications for the religious values ??of the adherents. This paper aims to identify the religious implications of the postponement of the Sanghyang Jaran dance performance. Kontjaraningrat and Robertson Smith's religious theory was used to interpret the data obtained. The results of the study indicate that there are at least three forms of religiosity implications experienced by the community during the postponement. First, the dancers are often visited by the spirit of Sanghyang Jaran in an unusual or angry condition. In addition, the dancer's family also experienced unusual illness and frequent household problems. Second, farmers experience anxiety due to declining yields and thefts that have occurred several times. Third, people experience discomfort with the surrounding conditions such as tense, many people are sick, so many people die in a row in the near future or grubug.

Downloads

Download data is not yet available.

References

Anonim. (tt.). Kekidungan Sesolahan Sanghyang Jaran. Dusun Badung Desa Bungkulan Kecamatan Sawan Kabupaten Buleleng Bali.

Budarsa, G. (2021, 16 Oktober). “Tarian Sanghyang Jaran Bali Utara” bungkulan-buleleng.desa.id http://bungkulan-buleleng.desa.id/index.php/first/artikel/136-TARIAN-SANGHYANG-JARAN-BALI-UTARA

Covarrubias, M. (2013). Pulau Bali: Temuan yang Menakjubkan. Udayana University Press.

Dewi, S. (2020). “Seni dalam Lipatan Pandemi”. Jurnal Seni Nasional CIKINI, 6(1), pp. 51-58. https://doi.org/10.52969/jsnc.v6i1.91

Haviland, W. A. (1993). Antropologi Jilid 2. Erlangga.

Hermawan, I.G.B.A. (2015). “Tradisi Tari Sanghyang Bojog di Desa Pakraman Bugbug, Karangasem-Bali (Latar Belakang, Fungsi dan Potensinya Sebagai Sumber Belajar Sejarah Kebudayaan di SMA)”. Skripsi Jurusan Pendidikan Sejarah, Universitas Pendidikan Ganesha.

Koentjaraningrat. (2000). Pengantar Ilmu Antropologi. Rineka Cipta.

Nasution, S.I. (2013). Pengantar Antropologi Agama. Harakindo.

Picard, M. (2006). Bali: Pariwisata Budaya dan Budaya Pariwisata. Kepustakaan Populer Gramedia.

Pramana, P.N.D. (2004). Tari Sanghyang Jaran: Warisan Budaya Pra Hindu di Bali. Citra Etnika.

Profil Desa Bungkulan Tahun 2020. (2020). Kantor perbekel Desa Bungkulan.

Ruastiti, N.M. (2017). “Membongkar Makna Pertunjukkan Tari Sanghyang Dedari di Puri Saren Agung Ubud, Bali pada Era Global”. Jurnal Mudra, 32(2), pp. 162-171. https://doi.org/10.31091/mudra.v32i2.105

Titib, I.M. (2003). Teologi & Simbol-Simbol dalam Agama Hindu. Paramita.

Widyantari, N.M.N., Wika, I.M., & Sumertini, N.W. (2018). “Upacara Nangluk Merana di Desa Adat Kuta Kecamatan Kuta Kabupaten Badung”. Jurnal Penelitian Agama Hindu, 2(1), pp. 402-408. http://dx.doi.org/10.25078/jpah.v2i1.496

Yuliawati, N.N., Suasika, I.M., & Putra, I.B.R. (2018). “Fungsi dan Makna Doa Pemujaan dalam Gending Sang Hyang Jaran”. Jurnal Linguistika, 48(25), pp. 73-80. https://doi.org/10.24843/ling.2018.v25.i01.p09
Published
2023-03-10
How to Cite
KUSUMA, Afnan Dzanu; ALIFFIATI, .; KALER, I Ketut. Implikasi Religiusitas Pementasan Tari Sanghyang Jaran di Desa Bungkulan pada Masa Pandemi Covid 19. Sunari Penjor : Journal of Anthropology, [S.l.], v. 7, n. 1, p. 35-51, mar. 2023. ISSN 2962-6749. Available at: <https://ojs.unud.ac.id/index.php/penjor/article/view/100937>. Date accessed: 28 apr. 2024. doi: https://doi.org/10.24843/SP.2023.v7.i01.p05.

Most read articles by the same author(s)

1 2 > >>